![]() With the gradient selected, click the video button then in the compositing section, choose blend mode > Stencil Luma.įinal Cut Pro uses the white pixels as Luma Matte to reveal the top part of the image wherever the pixels are the brightest. ![]() I’m about to use the gradient as a matte to reveal only a portion of the clip below it. In order to see the effect the gradient will have on the bottom clip, disable the top clip by selecting it and pressing V. In the timeline drag the gradient downward so its sandwiched between the two video clips. In the viewer use the on-screen controls to adjust the gradients position to roughly half the frame. I’ll change the bottom color of the gradient to pure black,Īnd the top color of the gradient to pure white. With the gradient selected, open the Inspector, and reveal the Generator controls. Next, I’ll open the Generators browser, locate the Gradient, then press Q to connect it above the others while matching their durations. I’ll duplicate the clip by option-dragging upward, then select either clip and press X to set a range. It also has some basic color correction applied to improve the overall contrast. In the timeline, I placed a video clip from a recent shoot. We can re-create this looks in Final Cut Pro by using a gradient and a few blend modes. This allows the photographer to change one part of the frame without changing another. Like the name suggests, it’s called a grad because the glass graduates from color on one side to clear on the other. ![]() In this episode, I’m going to show you how to emulate a grad filter effect that’s been popular with photographers for many years.ĭuring a shoot, a grad filter is placed in front of the lens. What’s your favorite way to create 3D text in Final Cut Pro? Share your advice in the comments below.Welcome to Final Cut Pro X in Under 5 Minutes, I’m Steve from. For additional Final Cut Pro tutorials, check out our Final Cut Pro X page here on PremiumBeat.įor more on editing in Final Cut Pro X, check out this breakdown of the key ingredients that go into one of your future edits. This is, of course, one of the many ways to stylize 3D titles in Final Cut Pro X. To make your text blend better with your background, apply the Color Correction effect to your text and change the levels as needed. Step 6: Apply Some Quick Color Correction ![]() In our example, we had our flare over the text for a few frames, then below for the remainder of its duration. Step 5: Add the Flare Elementĭrag your flare element into your composition. You can do this by simply dragging your background video element down from your Clips panel. Move forward about five seconds and scale down the footage to create a drifting effect. Under the Video tab, add a scale keyframe by hitting the plus icon on the first frame. Change the Side Material to Metal>Old Steel.Select Multiple from the Materials Menu.Change Your Material to Metal>Brushed Circular.Increase the Intensity of the Lighting to 190%.Change the Custom Environment Map to ‘Soft Box Above’.Turn the Lighting Intensity Down to 20%.Change the Lighting Style to Diagonal Right.Perform the following steps to make your titles look exactly like our example: ![]() Pick a font that looks great on screen.įor our example we’ll use the font called Marion. From this tab you can adjust all the various parameters that are going to make your text awesome. With your text selected in the timeline, navigate to the Text tab in the Inspector window at the top right of the Final Cut Pro window. In our example, we’re using 1080p HD at 23.98 frames per second. Choose whatever is appropriate for your project. When you drag the file into your timeline, you’ll be prompted to name the resolution and frame rate of your timeline. You’ll find this effect under the Titles tab - it’s the one with the large “ T” icon. To get started, drag the Tumble 3D text effect into your timeline. Creating 3D Titles in Final Cut Pro X Step 1: Drag the Text to Your Timeline ![]()
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